Experimental music for sync licensing
Some images need a melody. Others need a pressure in the room, a trace of a voice, or a sound that refuses to settle.
I’m Bastien Pons, a French experimental composer and sound artist. My album Blinded moves through musique concrète, dark ambient, field recordings and industrial textures. This page is a listening doorway for music supervisors, filmmakers and editors exploring music for film and television.
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Blinded — fractured perception
Metallic drones, ambient swells and processed voice create a sense of sensory overload: the world heard through frosted glass. A starting point for exploring disorientation, interior tension and fragile perception.
Black Clouds — slow pressure
A mantra-like voice, static and low industrial textures hold a storm in suspension. Featuring Frank Zozky, this piece offers an uneasy, patient atmosphere.
I Did Not Kill Her — unresolved tension
Fragmented rhythms and stuttering loops circle an obsessive, theatrical energy. An entry point for listening to repetition, instability and psychological unease.
Listen to I Did Not Kill Her — 5:09
Listen to the full seven-track album or read the stories behind the tracks.
Representation and licensing enquiries
Blinded is represented for sync by Big Hug Music Group. I wrote about my first sync representation deal and the way it opened another context for these sounds.
To enquire about a track, send a licensing enquiry with the project title, a short description of the scene, the track and passage you have in mind, intended media, territories, licence term, budget and deadline. Please mention any required edits or delivery formats. Availability, rights clearance and delivery materials are confirmed for each project.
For background on my work, visit the electronic press kit and press reviews of Blinded.